Chris Johnson has been a climate activist in the festival space for more than a decade. He is co-founder and sustainability lead of Shambala festival (cap. 15,0...
Skymagic’s spectacular drone show as part of the Queen’s Platinum Jubilee celebrations has, according to its founder Mungo Denison, sparked huge interest in the...
Georgie Ward reflects on a career path that led her to the gates of the Black Deer Festival, where she is festival manager.
What led you to work in events, w...
Stufish is well established as one of the industry’s most innovative and creative designers of live entertainment structures and productions. Access caught up w...
Launching a new festival has never been for the faint hearted, but few years have been more beset by difficult market conditions than 2022. Having overcome nerv...
There may be supply chain issues aplenty and concerns around the cost-of-living crisis, but the Scottish events industry is rising phoenix-like from the ashes o...
Alexandra Palace director of operations and Kaleidoscope Festival (cap. 11,000) director Simon Fell tells Access about the evolution of the one-day music and co...
Method Events co-founder James Dutton discusses Tramlines Festival’s (cap. 50,000) increased focus on using local suppliers, learnings from it being part of the...
Stuart Galbraith’s Kilimanjaro Live has had a remarkable summer, selling around 1.5 million tickets for huge outdoor live shows by acts including Ed Sheeran and...
Ahead of our in-depth report in the next edition of Access All Areas on the Scottish live events industry’s post-pandemic fight back, we spoke to VisitScotland ...
