Ezra Harris, director of HFS Crew, explains why he felt it necessary to start his own events crewing company to help drive diversity in the industry and provide...
On the back of the entire 210,000-capacity Glastonbury Festival being powered by renewable energy for the first time in its 53-year history, Access caught up wi...
Brand experience agency Yellow Fish has appointed Jess Charles as its new head of live.
In her role, Charles will work closely with the Yellow Fish team to l...
In the 15 years since Stuart Galbraith launched Kilimanjaro Live, the promoter has taken artists from clubs to stadiums, expanded with launches and acquisitions...
Backup Tech provides financial support and wellbeing aid to live event industry technical professionals, crew and production personnel. Here, the charity’s chai...
The Association of Independent Festivals (AIF) is to introduce the First Minister For Festivals award at the Access All Areas Awards on 16 November at EartH (Ev...
Orchard Live, Wales’ largest independent concert promoter, has been put into voluntary liquidation by its directors, who have blamed the pandemic and cost-of-li...
UK Music chief executive Jamie Njoku-Goodwin is to leave the music industry body after three years at the helm to become the prime minister’s new director of st...
Green Man festival owner and MD Fiona Stewart said the event has been the “greenest” edition of the 25,000-capacity festival in its 21-year history, and that it...
Artist agency WME has appointed Josh Javor as partner and co-head of its London music department.
Javor joins WME from X-Ray Touring, where he worked since 2...