The awards ceremony followed the first day of AIF’s 2019 Festival Congress in Sheffield.
Hosted by actor, writer and comedian Thanyia Moore, theawards ceremo...
Tendering is a necessary evil for event agencies, venues and suppliers. How should you pick the right ones to apply for, and how can you be sure that the applic...
The AIF's latest UK festival ownership map has revealed that just under 30% (29.03%) of the market is controlled by two major companies, Live Nation and AEG pre...
Set In the tranquil setting of New Forest National Park, Access visited Lime Wood hotel for the third in a series of three Smoked & Uncut events, to see how...
Megaforce has a new member in its stage family: a replica of the legendary Woodstock stage.
The idea to rebuild this "mother of all festival stages" was born...
The Competition and Markets Authority and the next Future Plc shareholder meeting are the only two things standing in the way of the company’s plans to become t...
The UK Government recently posted its official response to a crucial document, which highlighted the many problems facing the country’s music industry. Access breaks it down, to find out what is really being done to find a solution....
Access catches up with Romain Pissenem, founder, creative director and producer at High Scream and the man behind the production of ANTS, an Ibiza dance spectac...
The Department for Digital, Culture, Media & Sport's 'Festival of Great Britain and Northern Ireland', looks set to happen in 2022, but the project is not w...
After a 10 year anniversary event last year, Rampage organisers have been working hard to make sure the 2020 edition, from 13-14 March in 2020, will be 'bigger ...