The UK Government recently posted its official response to a crucial document, which highlighted the many problems facing the country’s music industry. Access breaks it down, to find out what is really being done to find a solution....
Access catches up with Romain Pissenem, founder, creative director and producer at High Scream and the man behind the production of ANTS, an Ibiza dance spectac...
Jon Hopkins headed to Printworks on 25 October where he curated an evening of musical entertainment.
His premiere at the venue saw him joined by artists incl...
Hellfest 2019, a French rock festival, was illuminated by nearly 300 Robe moving lights and seven RoboSpot systems were delivered by Melpomen, complete with six...
Robe moving lights were used across Lollapalooza Berlin, supplied by a number of different companies.
At the Main Stage North, the production design and top ...
Access talks to Origin Technical Productions (OTP)'s technical director Ben Cox about production trends and its spate of high profile projects including Boomtow...
As part of Access' White Paper, produced with We Are The Fair and the NTIA, author James Woodhuysen examines how history affects the present events ec...
Technical production specialist Adlib supplied lighting for two arenas at Creamfields 2019, audio to four arenas, and lighting and sound for the hospitality zon...